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  1. #----------------------------------PLEASE NOTE---------------------------------#
  2. #This file is the author's own work and represents their interpretation of the #
  3. #song. You may only use this file for private study, scholarship, or research. #
  4. #------------------------------------------------------------------------------##
  5. From JSCSP@acad3.alaska.edu  Tue Nov 16 18:40:28 1993
  6. Delivery-Date: Tue, 16 Nov 1993 18:40:35 +0000
  7. Return-Path: JSCSP@acad3.alaska.edu
  8. Received: from acad3.alaska.edu by unix2.tcd.ie (5.65/TCD/1.36)
  9.     id AA16451; Tue, 16 Nov 93 18:40:28 GMT
  10. Received: from mr.alaska.edu by acad3.alaska.edu (PMDF #2657 ) id
  11.  <01H5DNBCQQNQ8X0PA1@acad3.alaska.edu>; Tue, 16 Nov 1993 09:42:15 -0900
  12. Received: with PMDF-MR; Tue, 16 Nov 1993 09:41:44 -0900
  13. Date: 16 Nov 1993 09:41:41 -0900
  14. From: "St. Vitus" <JSCSP@acad3.alaska.edu>
  15. To: mcdonghj@unix2.tcd.ie
  16. Message-Id: <01H5DNBCOV5G8X0PA1@mr.alaska.edu>
  17. Mime-Version: 1.0
  18. Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
  19. Content-Transfer-Encoding: 7BIT
  20. X-Hop-Count: 1
  21. Status: RO
  22.  
  23. Band: Bauhaus                Title: The Three Shadows (Part II)
  24. Tabbed by: jscsp@camelot.acf-lab.alaska.edu (Chris S Parker)
  25.        jscsp@acad3.alaska.edu
  26.  
  27. This song was played on a piano, but here is the melody for the riff - all
  28. the rest could be specifically played out by ear once you've got this down.
  29.  
  30. |---------------------|---------------------|
  31. |---------------------|---------------------|
  32. |-11--11--15-11-13-15-|-11--11--15-11-13-15-|
  33. |---------------------|---------------------|
  34. |---------------------|---------------------|
  35. |---------------------|---------------------|
  36.  
  37. |---------------------|---------------------|
  38. |---------------------|---------------------|
  39. |--8---8--15-11-13-15-|--8---8--15-11-13-15-|
  40. |---------------------|---------------------|
  41. |---------------------|---------------------|
  42. |---------------------|---------------------|
  43.  
  44. [most of the sing is...]
  45.  
  46. |---------------------|---------------------|
  47. |---------------------|---------------------|
  48. |-8-8-8-8-11-11-11-11-|-8-8-8-8-11-11-11-11-|
  49. |---------------------|---------------------|
  50. |---------------------|---------------------|
  51. |---------------------|---------------------|
  52.  
  53.  
  54.